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Sam Newman calls for an end to "divisive" Indigenous symbols

<p>Sam Newman has called for all "divisive" Indigenous symbols, including the Aboriginal flag, to be banned from major events after the defeat of the Voice to Parliament referendum. </p> <p>The former AFL player, who recently encouraged sports fans to boo during the Welcome to Country at the AFL grand final, has once again taken aim at First Nations Australians after Indigenous symbols were used on awards handed out at the Melbourne Marathon on Sunday. </p> <p>Speaking on his <em>You Cannot Be Serious</em> podcast, Newman questioned why Aboriginal artworks adorned the medals and ribbons handed out to participants of the marathon. </p> <p>"People just cannot help themselves," he said.  </p> <p>"The Melbourne Marathon was run last Sunday, and everyone who ran in it got a medal ... the pandering and sycophantic crap. All the ribbons had snakes and lizards and were decked out in Indigenous artwork."</p> <p>When challenged by his co-host, Newman doubled on his controversial opinion. </p> <p>"Why can't you just have an Australian flavour for the Melbourne Marathon? (Why) do you have to keep pandering to it all for? Why aren't we just one people? What do you do that for? They can't help themselves."</p> <p>Newman also welcomed the defeat of the Voice to Parliament referendum, and took aim at disappointed Yes voters who were mourning the defeat. </p> <p>He said, "The people who were the Yes voters said 'we're going to fly the Aboriginal flags at half-mast'. Well, that's good, we've got them half way down let's remove them right down to the bottom and not fly them at all."</p> <p>Ironically, after beginning the rant about the Voice, he welcomed the idea from Indigenous leaders to hold a 'Week of Silence' to grieve the outcome of the referendum. </p> <p>"How fantastic is that? Let's have a year of silence and not talk about it," Newman said.</p> <p><em>Image credits: Getty Images </em></p>

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12 red flags you’re about to get a bad haircut

<p><strong>Hair beware</strong></p> <p>There’s nothing quite like walking out of the salon with a haircut you love. A new ‘do can boost your confidence and put a little pep in your step. But a bad haircut? Ugh. That can leave you shaking your head and wondering what the heck just went wrong.</p> <p>Going to a new salon can leave you particularly vulnerable to getting a bad haircut. After all, you’ve never seen the stylist and don’t know if they’ll be a good fit for you. What if they make a ton of hairstyle mistakes? Or promise a hairstyle that’ll make you look younger but deliver a ‘do better suited to your granny? “A bad haircut or colour can ruin six months or more of your confidence,” affirms stylist, Natalie Palomino.</p> <p>Because of this, one of the very best hairstylist secrets you can learn is how to spot the red flags that you are about to get a bad haircut. Here, experts share the tell-tale signs you may be in for a bad cut (or colour!).</p> <p><strong>The salon is dirty</strong></p> <p>If you walked into a doctor’s office and it was filthy, you probably wouldn’t feel super comfortable getting care there, right? The same thinking should apply to a hair salon. “If a salon looks dirty or unkept, it is concerning,” says celebrity hairstylist Shantise Michelle. “This could indicate that they don’t prioritise cleanliness and sanitation, which can be a health risk.”</p> <p>So what constitutes ‘dirty’ at a hair salon? Michelle points out that seeing a few hair clippings on the ground, especially if a client is mid-cut, is totally normal. What’s not? Tools that look dirty, lots of dust or piles of hair that haven’t been cleaned up even after clients leave.</p> <p><strong>The stylist won't share examples of past work</strong></p> <p>Maybe you’re hoping to learn how to grow out grey hair gracefully. Or maybe you’re looking for hairstyles for women over 40. No matter your goal, it’s super helpful if new stylists are able to show you examples of their work.</p> <p>If they don’t post client cuts on social media, ask them to share pictures of previous cuts they’ve done. “Not being able to show you examples of their work is a red flag,” says Michelle. Even if they are relatively green, stylists should have examples from their training.</p> <p><strong>The stylist doesn't ask for a hair history</strong></p> <p>Before a stylist gives you a cut for the first time, it’s important that they get some key info from you. Without this assessment, you may end up with a cut or colour you can’t stand. “Before a bowl of colour is mixed, a stylist should know if you’ve used boxed dye recently or any other treatments you’ve recently had,” says Palomino. “If you are getting a cut, they should know what your normal hairstyling routine looks like.”</p> <p>This is crucial because it helps them tailor your cut to your needs. For example, a cut that will require lots of blow-dry time to look good is a no-go if you never have time to blow-dry your hair.</p> <p>Basic questions surrounding your hair history include how you normally style your hair and if you’ve had any recent treatments (think: relaxing your strands or a perm). If you’re going in for a colour, the stylist should ask when you last coloured your hair and how, as well as any other hair treatments you’ve recently had.</p> <p><strong>The stylist refuses to give an opinion</strong></p> <p>It’s your hair, sure, but your stylist is the professional. So if you ask for their opinion, they should give it. If you ask what they think and they don’t say much, be wary. “While this doesn’t necessarily mean you are seeing a bad stylist, it may be the sign of someone who is green and doesn’t know how to interact,” says Palomino. A stylist should have a general idea of what cuts work for different hair textures, face shapes and lifestyles, she says. If they don’t seem to know these things, you should be concerned.</p> <p>In an ideal world, you should feel like your stylist is a collaborator on your journey to great hair. You know your hair and what will work for you, and they have professional expertise and know things like the best blow-dryer for straight versus curly hair, or what looks good on round versus long faces. They should offer up this info to help guide you when you’re deciding the fate of your strands.</p> <p><strong>The stylist is pushy</strong></p> <p>You want someone to weigh in, not boss you around. After all, you have to live with the end results. “You should never feel bullied into getting a certain type of cut,” says Michelle. “A good hairstylist will listen to your needs and preferences and make recommendations based on that ­ – but not force you into something you don’t want.”</p> <p>Getting to the perfect cut for you should be a bit of a give-and-take. For example, if you want to go short, start by telling the stylist that. Then they can suggest a short cut that would flatter your face shape. From there, you can give feedback on their suggestion.</p> <p>Oh, and hairdressers shouldn’t be pushy about buying products either. If you like something they use and want to purchase it from the salon after your appointment, great. If you don’t have that in your budget, they shouldn’t make you feel like you have to.</p> <p><strong>The salon is always empty</strong></p> <p>If the salon is regularly a ghost town or constantly offers deep discounts, should it worry you? You bet. “If the salon is brand new, they may still be getting their name out there, and it’s not a reason to run away,” says Palomino. The same applies to a salon that has recently reopened after being closed for the pandemic or for another reason.</p> <p>“However, if the salon has been around for a while and is always empty, then you may want to look elsewhere,” she says. One way to suss this out? Rather than making an online appointment or calling a new salon, try stopping by on a Saturday – which tends to be the busiest day. This way, as you make your appointment, you’ll be able to get a feel for the salon and see how lively it is.</p> <p><strong>The salon has lots of bad reviews</strong></p> <p>Imagine looking up a restaurant before having dinner there and seeing a bunch of reviews that mention finding hair in the food or seeing lots of roaches. You’d find a new place to eat, wouldn’t you? Use the same logic when considering a new stylist. Look up the salon on Yelp or Google and give the reviews a good read.</p> <p>“If a hairstylist has a ton of bad online reviews, it could be a red flag and should be a concern,” says Michelle. “However, it’s important to read the reviews carefully and consider the context before making a decision.” If all the reviews give the same bad feedback (like the cut was a disappointment or the employees were rude), you can probably trust them. If there are a handful of poor reviews that seem more situational (perhaps someone is mad that they showed up late and weren’t accommodated), take those with a grain of salt.</p> <p><strong>An assistant takes you straight to a shampoo station</strong></p> <p>If you arrive at a new salon and an assistant immediately whisks you to the shampoo station, it should give you pause. “A stylist should always look at your dry hair when you come in, because this gives them a better idea of how your hair naturally behaves,” says Michelle. “This information allows them to make more informed recommendations.”</p> <p>For most stylists, a visit flows like this: they have you come right in and sit in their chair. They look at your hair and have a short consultation about what you’re looking for. Some stylists may even cut a bit of your hair while it’s dry – this is most common if you’re cutting a large amount of hair. In this case, they may take off some length before you have your strands washed.</p> <p>From there, it’s off to the shampoo station. (Oh, and a really good stylist will customise the shampoo for your hair needs. So if your hair is thin, they’ll use a thickening shampoo; if it’s dyed, they’ll use a shampoo for colour-treated hair – you get the idea.) Once you’ve been sudsed up, you’ll head back to the stylist’s station for shaping and the actual cut.</p> <p><strong>The stylist's hair looks worse for wear</strong></p> <p>A stylist’s hair is a bit of an advertisement. “If your hairstylist has really damaged hair, it could be a red flag, because it could indicate that they don’t know how to take care of their own hair properly,” says Michelle. “This could reflect how they’d mistreat your hair.” One thing to keep in mind: You should be looking at the condition of their hair – not the actual style.</p> <p>Dry, brittle, damaged tresses should worry you. They have access to great hair masks for damaged hair and other tricks that should help them avoid an unkempt appearance. So if their hair is looking not-so-great, it’s dicey. But not liking their cut or colour isn’t the same thing. You may just have different style preferences, and that’s totally OK.</p> <p><strong>The stylist's nervousness makes you nervous</strong></p> <p>Accidentally dropping a brush? No big deal. Anxiously looking at a pair of scissors and biting their lip every time they make a snip? Yikes. “If your stylist seems nervous or unsure of how to use tools, they may not be properly trained,” says Michelle.</p> <p>As they move about their station, look for signs that they are at ease. If they’re using a tool like a hair-straightener brush, they should look like they do it all the time. The same goes for getting you set up in your chair. Clipping on the cape should be second nature for them, as should raising and lowering the chair.</p> <p><strong>The stylist doesn't solicit feedback</strong></p> <p>Once your stylist has finished up, they should initiate another consultation, turning you toward the mirror, and then giving you a handheld mirror so you can look at the back of your head. “By asking what you think of the result, it helps ensure that you both are on the same page and that you are happy with the results,” says Michelle.</p> <p>But what if you aren’t thrilled with the outcome or think it’s a flat-out bad haircut? That’s what makes this step even more important. You should feel free to speak up about what’s not working for you. In turn, they should offer suggestions on how they could alter the cut so you like it more. Michelle says no good stylist should bristle at this kind of feedback.</p> <p><strong>The stylist doesn't discuss aftercare</strong></p> <p>At the end of your appointment, a good stylist should discuss aftercare with you. This information will be customised to your hair’s needs and your cut. For example, they may suggest the best shampoo and conditioner for your tresses or give you a few tips on how to use a curling iron to recreate the waves they added to your style.</p> <p>“How you treat your hair at home has a dramatic impact on the health of your hair,” Palomino points out. So when a stylist shares this kind of info, it’s a sign that they’re really looking out for you and your strands.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.com.au/healthsmart/beauty/hair-and-nails/12-red-flags-youre-about-to-get-a-bad-haircut?pages=1" target="_blank" rel="noopener">Reader's Digest</a>.</em></p>

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“He yelled the N-word”: Stan Grant speaks out on racist attack

<p dir="ltr"><em>Q+A</em> host Stan Grant has opened up about the time he faced unprovoked racist abuse from a stranger outside of the ABC’s headquarters, just days after <a href="https://www.oversixty.com.au/entertainment/tv/there-is-no-excuse-for-what-i-saw-stan-grant-calls-on-the-abc-to-do-better">calling for the broadcaster to “do better”</a>.</p> <p dir="ltr">Grant, a Wiradjuri and Kamilaroi man, was attending the national summit on Aboriginal child safety in Adelaide when conversation turned to the incident involving a passerby and “the N-word”. </p> <p dir="ltr">“I was standing outside the ABC filming … and a young man and his girlfriend walked past me and, as they got close to me, he yelled the N-word loudly at me, right at me,” Grant explained.</p> <p dir="ltr">“So what if I’m on television, so what if I stayed in the White House with [former US President] Barack Obama …. so what if I can phone the Prime Minister [Anthony Albanese] and he’ll pick up the phone, so what? In that moment, that’s what I was to that person.</p> <p dir="ltr">“We don’t know when someone’s going to say that. No matter how successful you are, someone can always cut you down. </p> <p dir="ltr">“Racism can touch us anywhere.”</p> <p dir="ltr">When breaking the story, Grant was addressing an audience of approximately 250 individuals from across Australia - primarily First Nations experts and frontline workers - at the summit hosted by KWY.</p> <p dir="ltr">The group is a South Australia-based Aboriginal organisation who, according to their official website, “cover domestic and family violence, child protection, youth work, kinship care, disability, mentoring, Aboriginal education outcomes, perpetrator intervention, and cultural training and consultancy” across Adelaide and other regional centres. </p> <p dir="ltr">During the summit, Aboriginal Children’s Commissioner April Lawrie called on the South Australian government to take action against the rising rates of Aboriginal children who were being taken into state care, declaring that, “we’re removing [children] but we’re not supporting [families].” </p> <p dir="ltr">“It’s a telling story when [I] go into a school community to engage with young fullas … to find that I couldn’t take a photo because most of the Aboriginal children in that school community were a child in care [and can’t be identified].</p> <p dir="ltr">“That speaks more than what you see in data. That is the compelling story about what is going on in our Aboriginal communities, what is the relationship of the state with our Aboriginal families.”</p> <p dir="ltr">Reportedly, South Australia has a budget in excess of $500m, and only spends roughly $69m per year on early help services for families. </p> <p dir="ltr">As South Australia’s Child Protection Minister Katrine Hildyard said, the Malinauskas government intends to commit $3.2m to creating a new committee, while increasing the overall budget for family services by $13.4m. </p> <p dir="ltr">“We know that the current system is not working for Aboriginal families and children,” she stated.</p> <p dir="ltr">“Listening to the wisdom and experience of Aboriginal people is utterly fundamental to building a better approach.</p> <p dir="ltr">“This includes our government acknowledging how that legacy of colonisation and experiences of intergenerational trauma and racism influence the issues Aboriginal people face.”</p> <p dir="ltr"><em>Images: Q+A / Youtube</em></p>

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New flag furore erupts as Djokovic crushes Aus Open final

<p>Novak Djokovic has won the Australian Open in convincing fashion to equal Rafael Nadal's Grand Slam record, a year after he was deported over his COVID vaccination status.</p> <p>The Serbian star defeated Greek player Stefanos Tsitsipas in three sets in the final in Melbourne on Sunday, making it Djokovic's 10th Australian Open title – equal to Nadal's Grand Slam record of 22 men's singles titles.</p> <p>However, during the broadcast an eagle-eyed viewer couldn’t help but single out the disturbing appearance of a flag bearing a controversial far-right symbol, waved by a Djokovic supporter.</p> <p>“Why am I seeing a Chetnik flag amongst the Serbian crowd at the Tsitsipas vs Djokovic match?” wrote Twitter user Sophie Mak. “Are ultra fascist symbols allowed in the Australian Open now?”</p> <p>The Chetniks were paramilitary ultranationalists who committed war crimes during WWII. Respected tennis journo Ben Rothenberg then responded by calling for future Australian Opens to be completely flag free if security cannot control such incidents.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I really think they need to make the 2024 <a href="https://twitter.com/hashtag/AusOpen?src=hash&amp;ref_src=twsrc%5Etfw">#AusOpen</a> a flag-free zone if their security repeatedly can't figure this stuff out. </p> <p>Tournament security has been pretty abysmal (though we haven't had the ~annual court invader during the men's final yet). <a href="https://t.co/Mztq6NstPg">https://t.co/Mztq6NstPg</a></p> <p>— Ben Rothenberg (@BenRothenberg) <a href="https://twitter.com/BenRothenberg/status/1619649716932988929?ref_src=twsrc%5Etfw">January 29, 2023</a></p></blockquote> <p>“Tournament security has been pretty abysmal (though we haven’t had the ~annual court invader during the men’s final yet),” added Rothenberg.</p> <p>Tennis Australia were moved to introduce a complete ban on Russian and Belarusian flags earlier in the Australian Open after a Belarusian flag was spotted being waved during a Ukrainian’s match. </p> <p>Djokovic’s father Srbjan was then caught up in a controversy when he inadvertently posed alongside pro-Vladimir Putin protesters outside the stadium who were holding up a flag with the Russian leader’s face on it. Srbjan then elected not to attend the semi-final nor the final of the tournament in which his son was victorious for a record tenth time.</p> <p><em>Images: Twitter</em></p>

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National Aboriginal Art Gallery under fire over proposed building site

<p dir="ltr">Indigenous Australian elders in the Northern Territory have called the development of the National Aboriginal Art Gallery (NAAG) a “complete joke” due to its insensitive proposed building site. </p> <p dir="ltr">The $130 million project is set to celebrate 65,000 years of First Nations history and culture, while also ramping up future tourism prospects in the NT. </p> <p dir="ltr">However, the government wants to build it on the town's football oval precinct, which, critically, overlaps a sacred women's site.</p> <p dir="ltr">Doris Stuart Kngwarreye, a proud Arrernte woman,  described the five-year consultation process for the project as a "complete joke" and said she would continue to fight to protect her cultural heritage.  </p> <p dir="ltr">"If you're there and they're consulting with you and you say 'no, end of story' consultation goes on without you there," she said.</p> <p dir="ltr">"The boxes have been ticked." </p> <p dir="ltr">The main issue for Ms Stuart is that the gallery will layer other First Nations' songlines and stories, expressed through the artworks proposed for the gallery, over an Mparntwe sacred women's area. </p> <p dir="ltr">"If you put a building up there with stories that don't belong there, how do you think the ancestors will feel towards that?" she said. </p> <p dir="ltr">"Where's the respect? We have our boundaries here."</p> <p dir="ltr">Western Arrarnta elder and artist Mervyn Rubuntja has been painting his homeland in vibrant watercolour since he was a teenager, and said he felt uneasy about displaying his artwork on the potential site.</p> <p dir="ltr">"It's a woman's site," he said. "You need to talk to the ladies first if they say yes or no, because it's important for every non-Indigenous person to listen."</p> <p dir="ltr">The fight over the location first began in 2017, when a government-funded steering committee, led by Indigenous art experts, <a href="https://desart.com.au/publication/2786/">said in a report</a> the gallery should be built out of town and should have major input from the local Indigenous custodians. </p> <p dir="ltr">The NT government is still consulting with the community over the designs of the building and that consultation process is expected to be wrapped by late 2023, but there is no clear timeline for when the building will commence.</p> <p dir="ltr">For Ms Stuart, she said she is disappointed that the government is pushing ahead with the project but said she’d continue to speak up for her country no matter the outcome. </p> <p dir="ltr">"All I want is respect for all this land," she said.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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Queen Elizabeth II mural painted over

<p dir="ltr">A mural of Queen Elizabeth II has been painted over with the Aboriginal Flag a few days after the monarch was laid to rest.</p> <p dir="ltr">Queen Elizabeth died on September 8 at Balmoral Castle in Scotland and was buried on September 19 at King George VI Memorial Chapel in St George's Chapel.</p> <p dir="ltr">The day of her death saw local Sydney artist Stuart Sale paint the mural in the inner-west suburb of Marrickville.</p> <p dir="ltr">Bobby, another local member of the community, told OverSixty that Mr Sale had painted the mural at night, and had then come back the next morning to touch it up.</p> <p dir="ltr">“There was quite a crowd around him as he finalised the mural,” he said.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CiZohGyPHkA/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CiZohGyPHkA/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Stuart Sale (@stuartsale)</a></p> </div> </blockquote> <p dir="ltr">The mural was left untouched for almost two weeks until Australia’s National Day of Mourning when it was painted over with the Aboriginal Flag.</p> <p dir="ltr">“It’s a very sensitive issue,” Bobby told OverSixty.</p> <p dir="ltr">Mr Sale shared an update to his Instagram of the altered mural with the caption, “Art can be so powerful”, along with three hearts in the Aboriginal Flag colours.</p> <p dir="ltr">He explained that the mural belonged to the people and that he did not have any plans on fixing it.</p> <p dir="ltr">“It belongs to the people in a way and that’s why I’m torn. I’ve painted this and given it to the street. I might let it stay for now.”</p> <p dir="ltr"><em>Images: Sahar Mourad</em></p>

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Artist reworks the classics to include Aboriginal women

<p dir="ltr">An Indigenous artist is reclaiming her heritage by reworking famous artworks to include Aboriginal women. </p> <p dir="ltr">Brandi Salmon, a Wiradjuri artist from Hobart, was first inspired to attempt these reimaginings after viewing numerous artworks about Aboriginal people that were created by non-Indigenous artists and that portrayed Aboriginal people in a negative light – in particular a 19th-century painting that depicts an Aboriginal person as a servant waiting in the presence of Captain James Cook. </p> <p dir="ltr">These negative depictions then led to the creation of a series of works celebrating Aboriginal people titled The Aunty Collection, which includes five famous paintings that feature Aboriginal women, often in regal positions and as the focal point of the artwork.</p> <p dir="ltr">After discovering her love of art as a child, Aboriginal presence in art became a focus when Ms Salmon attended university, where she studied creative arts.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">“A lot of the paintings I came across were paintings of Aboriginal people as servants," she told the <a href="https://www.abc.net.au/news/2022-09-13/artist-appropriates-famous-paintings-to-include-aboriginal-women/101394128">ABC</a>. </p> <p dir="ltr">“What you see in a lot of paintings from those periods is a style of art which depicts Aboriginal people in such a way that justifies the colonial project," said Tiriki Onus, head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne.</p> <p dir="ltr">"You will see Aboriginal people depicted in this almost animal-like, grotesque fashion that is indicative of a certain time period and romanticises invasion.”</p> <p dir="ltr">When Brandi first started The Aunty Collection for a university assignment, it evolved further than she ever imagined it would. </p> <p dir="ltr">"I wasn't taught how to do the traditional painting and I felt like I couldn't do it. I felt a need to create my own style," she said.</p> <p dir="ltr">The Aunty Collection now features paintings such as Botticelli's <em>The Birth of Venus</em> and Leonardo da Vinci's <em>Mona Lisa</em> re-imagined as strong and proud Aboriginal women.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">Brandi said, "If you think about the classical works, they often depict people and their everyday world to some extent."</p> <p dir="ltr">"A couple of hundred years ago we were being depicted as servants, and now we have the freedom to do The Aunty Collection."</p> <p dir="ltr">"I don't think I realised how much of an impact that would have."</p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><em>Image credits: Instagram</em><span id="docs-internal-guid-92d6872c-7fff-0194-caca-a9d72f7ea119"></span></p>

Art

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"Put it up properly!" PM criticised for public flag blunder

<p dir="ltr">Australian Prime Minister Anthony Albanese has come under fire after the Aboriginal flag was hung upside down on the first day of the Jobs and Skills Summit at Parliament House - made worse by the fact that no one in attendance seemed to notice the error either.</p> <p dir="ltr">The incorrectly-hung Indigenous flag was in the background displayed alongside the Australia and Torres Strait Islander flags as Mr Albanese addressed the 140 government and business leaders and was spotted in various selfies and photos taken on the day.</p> <p><span id="docs-internal-guid-6a78ef78-7fff-2c33-67d8-b5d595a52513">When correctly flown, the black half of the flag, <a href="https://aiatsis.gov.au/explore/aboriginal-flag" target="_blank" rel="noopener">representing</a> First Nations Australians, is meant to be at the top, with the red half, signifying the earth, at the bottom.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Loved joining this powerhouse of women speakers on the opening panel at the <a href="https://twitter.com/hashtag/jobssummit?src=hash&amp;ref_src=twsrc%5Etfw">#jobssummit</a>. Equity for women can’t wait ⁦<a href="https://twitter.com/SenKatyG?ref_src=twsrc%5Etfw">@SenKatyG</a>⁩ ⁦<a href="https://twitter.com/sammostyn?ref_src=twsrc%5Etfw">@sammostyn</a>⁩ ⁦<a href="https://twitter.com/emmafulu?ref_src=twsrc%5Etfw">@emmafulu</a> ⁦<a href="https://twitter.com/June_Oscar?ref_src=twsrc%5Etfw">@June_Oscar</a>⁩⁦<a href="https://twitter.com/leonora_risse?ref_src=twsrc%5Etfw">@leonora_risse</a>⁩<br />⁩ <a href="https://t.co/eVd6kDATfJ">pic.twitter.com/eVd6kDATfJ</a></p> <p>— Michele O'Neil (@MicheleONeilAU) <a href="https://twitter.com/MicheleONeilAU/status/1565152042347180034?ref_src=twsrc%5Etfw">September 1, 2022</a></p></blockquote> <p dir="ltr">It hung upside down until delegates left for the lunch break and was correctly displayed when they returned.</p> <p dir="ltr">Prominent Indigenous leaders called out the faux pas, including Coalition Senator Jacinta Price and Warren Mundine, a business leader and former Labor Party president.</p> <p dir="ltr">Senator Price, who has previously criticised Mr Albanese’s flying of the flag as empty symbolism, said it was ironic that the government went out of its way to show symbolic respect for Indigenous Australians, yet still made such an error.</p> <p dir="ltr">“With all the virtuous expression of respect for Aboriginal Australians... and all the carry on with strategically placing the flag prominently to express this deep virtue you’d think that this Albanese Government could actually hang it the right way up?” she said.</p> <p><span id="docs-internal-guid-ac92a209-7fff-5a3a-fd3d-4d50441b5373"></span></p> <p dir="ltr">“Especially at such a significant and groundbreaking event such as the job summit.”</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/09/albo-flag1.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Various speakers were photographed in front of the incorrectly-hung Indigenous flag, which was corrected during the event’s lunch break. Images: @AlboMP (Twitter)</em></p> <p dir="ltr">Mr Mundine said he was shocked when the saw the flag on TV, describing the mistake as “ignorant” and “pathetic”.</p> <p dir="ltr">“How ignorant and pathetic is it that our national flag is treated this way… put it up properly!” he said.</p> <p dir="ltr">The Parliamentary Services Department, which was responsible for the error, later said the flag being upside down was the result of “an unfortunate human error”.</p> <p dir="ltr">“The incorrect mounting of the Aboriginal flag was due to an unfortunate human error. Once the error was identified, it was immediately corrected,” it said.</p> <p dir="ltr">While a flag flying upside down can signal that someone is in distress in the US and is sometimes used by protestors at rallies, the act is banned under all circumstances by the Australian flag protocols.</p> <p dir="ltr">Mr Albanese has been displaying the Aboriginal and Torres Strait Islander flags in parliament and at government events since becoming PM following the May election, with Indigenous MPs and leaders praising it as a long-overdue acknowledgement of First Nations culture and Australia’s history before British colonisation. </p> <p dir="ltr"><span id="docs-internal-guid-34d56c2f-7fff-7b7e-e9a5-06a678a4de7f"></span></p> <p dir="ltr"><em>Images: @AlboMP (Twitter)</em></p>

News

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Sacred Aboriginal sites are yet again at risk in the Pilbara

<p>An application from Traditional Owners to block the construction of a fertiliser plant near ancient rock art in the Pilbara <a href="https://www.abc.net.au/news/2022-08-24/perdaman-fertiliser-traditional-owners-sacred-sites-rock-art/101363542" target="_blank" rel="noopener">was denied</a> by the federal Environment Minister Tanya Plibersek. This decision is deeply concerning, and points to a much larger problem with Indigenous heritage management.</p> <p>Plibersek says she went with the views of the Murujuga Aboriginal Corporation in making her decision, <a href="https://www.abc.net.au/news/2022-08-23/plibersek-will-not-block-perdaman-fertiliser-plant-/101360350" target="_blank" rel="noopener">calling it</a> the “most representative organisation on cultural knowledge” in the region. Yet, she <a href="https://www.abc.net.au/radionational/programs/breakfast/environment-minister-won-t-intervene-on-burrup-plant/101359854" target="_blank" rel="noopener">also acknowledged</a> that these views don’t represent all Traditional Owner perspectives in the area.</p> <p>Save Our Songlines, a separate organisation of Murujuga Traditional Owners, oppose the fertiliser plant, which they say poses a threat to sacred rock art sites. <a href="https://www.saveoursonglines.org/post/tanya-plibersek-fails-to-protect-murujuga" target="_blank" rel="noopener">They say</a> the minister’s decision is “based on faulty reasoning and false conclusions”.</p> <p>In 2020, the world reacted in horror when Rio Tinto <a href="https://theconversation.com/rio-tinto-just-blasted-away-an-ancient-aboriginal-site-heres-why-that-was-allowed-139466" target="_blank" rel="noopener">lawfully</a> destroyed Juukan Gorge – sacred Aboriginal rock shelters in the Pilbara some 46,000 years old. Broader community understanding of the value of Aboriginal and Torres Strait Islander knowledges for looking after Country can help us avoid repeating this tragedy. Tourism and community education is an important way to do that.</p> <blockquote> <p dir="ltr" lang="en">"The community, the country and the whole world will be outraged if this leads to another Juukan Gorge because the federal government would not stand up to industry and protect sacred Aboriginal sites from further destruction.”</p> <p>— Save Our Songlines (@SaveBurrup) <a href="https://twitter.com/SaveBurrup/status/1561902261571203078?ref_src=twsrc%5Etfw">August 23, 2022</a></p></blockquote> <h2>‘Enough is enough’</h2> <p>The A$4.5 billion Perdaman fertiliser plant will be constructed in the World Heritage nominated <a href="https://exploreparks.dbca.wa.gov.au/park/murujuga-national-park" target="_blank" rel="noopener">Murujuga National Park</a> in Western Australia. It is home to the world’s largest rock art gallery, with more than 1 million images scattered across the entire Burrup Peninsula and Dampier Archipelago.</p> <p>As many as <a href="https://www.saveoursonglines.org/post/tanya-plibersek-fails-to-protect-murujuga" target="_blank" rel="noopener">20 sacred sites</a> may be impacted by the plant, according to Save Our Songlines.</p> <p>In <a href="https://www.abc.net.au/radionational/programs/breakfast/environment-minister-won-t-intervene-on-burrup-plant/101359854" target="_blank" rel="noopener">an interview</a> with ABC Radio National, Plibersek said the Murujuga Aboriginal Corporation have agreed that some of these rock carvings can be moved safely, and others can be protected on site even if the plant goes ahead.</p> <p>However, the situation isn’t so clear cut. For example, <a href="https://www.abc.net.au/news/2022-08-26/aboriginal-custodians-concerns-in-letter-to-government/101370394?utm_source=sfmc&amp;utm_medium=email&amp;utm_campaign=abc_news_newsmail_am_sfmc&amp;utm_term=&amp;utm_id=1930785&amp;sfmc_id=281363065" target="_blank" rel="noopener">the ABC revealed</a> on Thursday that the Murujuga Aboriginal Corporation refused permission to move the rock art sites multiple times, preferring they remain undisturbed. Elders finally agreed after receiving advice that this wasn’t possible.</p> <p>This isn’t the first time we’ve seen issues regarding consultation processes with Traditional Owners, such as during the notorious <a href="https://www.smh.com.au/environment/battle-for-the-kimberley-20120523-1z5fb.html" target="_blank" rel="noopener">battle for the Kimberley</a> against a major gas plant in 2012.</p> <p>Traditional Owner and co-author Clinton Walker has been sharing his intimate knowledge of the Pilbara with visitors through his tourism venture <a href="https://www.ngurrangga.com.au/" target="_blank" rel="noopener">Ngurrangga Tours</a> for the past 11 years. He has the cultural authority and capacity to speak for his Country.</p> <p>Clinton was a signatory on the <a href="https://www.saveoursonglines.org/post/open-letter-from-murujuga-custodians" target="_blank" rel="noopener">open letter from Traditional Owners and Custodians of Murujuga</a> concerning threats to cultural heritage in the area. He describes the potential impact of the fertiliser plant:</p> <blockquote> <p>This hill is a very very sacred site to my people. If they build their plant here we’re not gonna have the same access we do now to go visit our rock art and teach our kids and family their culture.</p> <p>This impact is going to damage our culture and it will damage us as the Traditional Owners because we’re connected to these sites in a spiritual way. I want people to know how important these sites are. We need to protect them. Enough is enough.</p> <h2>The need for consent</h2> <p>The <a href="https://parlinfo.aph.gov.au/parlInfo/download/committees/reportjnt/024757/toc_pdf/AWayForward.pdf;fileType=application%2Fpdf" target="_blank" rel="noopener">federal inquiry into the Juukan Gorge</a> disaster <a href="https://theconversation.com/juukan-gorge-inquiry-puts-rio-tinto-on-notice-but-without-drastic-reforms-it-could-happen-again-151377" target="_blank" rel="noopener">highlighted</a> the need for free, prior and informed consent from any affected Aboriginal and Torres Strait Islander group.</p> <p>The inquiry also <a href="https://www.abc.net.au/news/2020-10-12/juukan-gorge-blast-inquiry-told-of-rio-tinto-gag-clauses-warning/12754100" target="_blank" rel="noopener">called for</a> the removal of so-called “gag clauses” from land-use agreements, which prevent Aboriginal people from speaking out against developers.</p> <p>Save Our Songlines Traditional Owners say principles from the inquiry aren’t being upheld, and are concerned <a href="https://www.nit.com.au/the-six-clauses-traditional-owners-say-gag-them-from-raising-murujuga-concerns/" target="_blank" rel="noopener">gag clauses</a> are <a href="https://www.theguardian.com/australia-news/2022/mar/24/indigenous-elders-in-wa-say-gag-clause-denies-them-a-say-in-industrial-developments-on-their-land" target="_blank" rel="noopener">silencing members of the Murujuga Aboriginal Corporation</a>.</p> <p>We find it deeply problematic that Plibersek did not acknowledge these concerns around gag clauses in announcing her approval of the fertiliser plant. It is the role of the government to keep industry accountable for their obligations to abide by <a href="https://www.legislation.gov.au/Details/C2016C00937" target="_blank" rel="noopener">Indigenous heritage laws</a> and to ensure proper consultation processes are undertaken.</p> <p>This decision is also not in line with the federal government’s vocal commitment to the environment and to <a href="https://alp-assets.s3.ap-southeast-2.amazonaws.com/documents/ALP_FIRST_NATIONS_PEOPLES_2022.pdf" target="_blank" rel="noopener">Aboriginal and Torres Strait Islander affairs</a> prior to winning the election.</p> <p>In a <a href="http://www.majala.com.au/news/lawful-but-awful" target="_blank" rel="noopener">submission to the United Nations</a> about how to “decolonise our legal system”, Nyikina Warrwa Indigenous leader and respected researcher <a href="https://www.notredame.edu.au/research/nulungu/staff/Anne-Poelina" target="_blank" rel="noopener">Professor Anne Poelina</a> said:</p> <blockquote> <p>If the Lawful Laws which are awful, are enabled as lawful, what chance do Indigenous people and our lands, water, lifeways, and livelihoods stand against destruction?</p> <h2>Understanding Indigenous connection to Country</h2> <p>Non-Indigenous people need to better understand the <a href="https://theconversation.com/although-we-didnt-produce-these-problems-we-suffer-them-3-ways-you-can-help-in-naidocs-call-to-heal-country-163362" target="_blank" rel="noopener">importance of Country</a> for Aboriginal and Torres Strait Islander people. Classrooms are a good place to start.</p> <p><a href="https://journals.sagepub.com/doi/10.1177/1177180120929688" target="_blank" rel="noopener">Deficits in the Australian education system</a> have led to poor knowledge and frequent and pervasive misunderstandings of Aboriginal people, places and cultures. A <a href="https://insidestory.org.au/white-australias-hangover/" target="_blank" rel="noopener">psychological hangover</a> from White Australia’s assimilation policies persists.</p> <p>When school education doesn’t provide accurate and truthful accounts of Australian histories, <a href="https://www.reconciliation.org.au/wp-content/uploads/2021/02/State-of-Reconciliation-2021-Full-Report_web.pdf" target="_blank" rel="noopener">harmful stereotypes are left unchallenged</a>.</p> <p>Clinton Walker describes a common response from visitors on his tours showcasing the culture, Country and history of the Pilbara:</p> <blockquote> <p>People say ‘how the hell don’t we know that? Why have we never learnt this stuff?’</p> </blockquote> <p>Improvements in education have been slow. For example, the Australian Institute for Teacher and School Leadership only released their report “<a href="https://www.aitsl.edu.au/teach/intercultural-development/building-a-culturally-responsive-australian-teaching-workforce" target="_blank" rel="noopener">Building a culturally responsive Australian teaching workforce</a>” in June this year.</p> <p>Resources to support teachers are said to be scheduled for release in the coming months.</p> <h2>Learn about Country through tourism</h2> <p><a href="https://www.welcometocountry.com/" target="_blank" rel="noopener">Tourism is one context</a> where the visibility and recognition of Indigenous people as knowledge-holders can be promoted and celebrated.</p> <p>Aboriginal and Torres Strait Islander tourism operators are delivering truthful accounts of Australian history and telling their stories of their connection to Country and culture. <a href="https://journals.sagepub.com/doi/full/10.1177/1468797620987688" target="_blank" rel="noopener">This work is an emotional labour</a> as they challenge entrenched colonial narratives.</p> <p>Indigenous tourism operators are <a href="https://theconversation.com/more-than-a-word-practising-reconciliation-through-indigenous-knowledge-sharing-in-tourism-158563" target="_blank" rel="noopener">agents of reconciliation</a>. Operators speak about wanting to educate visitors to build awareness of social and environmental issues facing their communities. The potential destruction of cultural sites at Murujuga is one such issue.</p> <p>Ongoing research from lead-author Nicole Curtin involves conversations with Aboriginal tourism operators and their visitors. It finds that deep listening is required for visitors to interrogate their own biases and privileges during their tourism experience. Visitors must be willing to “go and sit and learn” about Indigenous sovereignty and knowledges in their own lives.</p> <p>Indeed, an enhanced sense of connection to our local communities may help to drive people to speak out about the destruction of sites of environmental and cultural significance.</p> <p>Raising community awareness to fuel social momentum is one way of exerting pressure on decision makers to protect Australia’s rich cultural heritage and environment.</p> <div> <p><em>We acknowledge the Bininj, Larrakia, Noongar, Ngarluma, Yindjibarndi and Yawuru peoples as the Traditional Owners of Country where this article, and our research, was conducted and written. We pay our respects to Elders past and present.</em></p> <p><strong>This article originally appeared on <a href="https://theconversation.com/sacred-aboriginal-sites-are-yet-again-at-risk-in-the-pilbara-but-tourism-can-help-protect-australias-rich-cultural-heritage-188524" target="_blank" rel="noopener">The Conversation</a>.</strong></p> <p><em>Image: Shutterstock</em></p> </div> </blockquote> </blockquote>

Travel Trouble

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Flag debate erupts as Carrie Bickmore returns

<p dir="ltr">Carrie Bickmore’s return to <em>The Project</em> has come amid heated debate over the flying of the Aboriginal flag over the Sydney Harbour Bridge, with co-host Steve Price declaring “there’s only one Australian flag”.</p> <p dir="ltr">Premier Dominic Perrottet announced on Sunday that the plan to install a third flagpole - with a controversial $25 million price tag - would be scrapped, with the Aboriginal flag permanently replacing the state flag and the funds going towards “closing the gap” initiatives instead.</p> <p dir="ltr">“Our Indigenous history should be celebrated and acknowledged so young Australians understand the rich and enduring culture that we have here with our past,” Mr Perrottet said.</p> <p dir="ltr">“Installing the Aboriginal flag permanently on the Sydney Harbour Bridge will do just that and is a continuation of the healing process as part of the broader move towards reconciliation.”</p> <p dir="ltr">Activist Cheree Toka, who has been campaigning for the Indigenous flag to be flown permanently since 2017, said the state flag was “null and void these days”.</p> <p><span id="docs-internal-guid-c907db0a-7fff-b990-6c33-6437c21d2cb6"></span></p> <p dir="ltr">“Having the Aboriginal flag fly permanently next to the Australian flag is the statement that we need to set as a nation moving forward to unite,” she told reporters.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">NSW Premier Dominic Perrottet has announced the Aboriginal flag will permanently fly on the Sydney Harbour Bridge and has scrapped plans to spend $25 million on a new flagpole.<a href="https://twitter.com/hashtag/TheProjectTV?src=hash&amp;ref_src=twsrc%5Etfw">#TheProjectTV</a> <a href="https://t.co/I5b35mGVp2">pic.twitter.com/I5b35mGVp2</a></p> <p>— The Project (@theprojecttv) <a href="https://twitter.com/theprojecttv/status/1546415687836499969?ref_src=twsrc%5Etfw">July 11, 2022</a></p></blockquote> <p dir="ltr">But when the news came up for discussion on Monday’s episode of <em>The Project</em>, the intense debate seemed to even overshadow Bickmore’s return from <a href="https://www.oversixty.com.au/entertainment/tv/the-truth-behind-carrie-bickmore-s-shock-announcement" target="_blank" rel="noopener">her UK family trip</a>.</p> <p dir="ltr">Co-host Hamish MacDonald asked the panel, “If that’s the argument about state flags, do you think we might be moving to a point where the nation as a whole embraces the Indigenous flag as the national flag?”</p> <p dir="ltr">Price responded in the negative, and when asked for his reasoning, said: “I just think Australians support the flag they’ve got.</p> <p dir="ltr">“We don’t need to change the flag. Who wants to change the flag?”</p> <p dir="ltr">Panellist Peter Helliar began, “I think over time –”</p> <p dir="ltr">Price quickly interrupted, saying, “We only have one flag – that’s the Australian flag. If you want to have a referendum on the flag, good luck buddy.”</p> <p dir="ltr">“I think as generations go on that will change,” Bickmore said.</p> <p dir="ltr">“No it won’t,” Price said.</p> <p dir="ltr">Helliar then joked that Price might be dead by the time it came up for discussion.</p> <p dir="ltr">“It may not be an issue for you, Pricey,” he said. “I mean who knows when it could happen? It could happen (in) 10 years, 20 years, 30 years.”</p> <p dir="ltr">Annoyed, Price shot back, “You’d like to get rid of the Australian flag, would you?”</p> <p dir="ltr">“I’m happy to have a conversation about it, absolutely,” Helliar replied.</p> <p dir="ltr">“Well it would need a referendum, and it won’t get up,” Price said.</p> <p dir="ltr">“Does it need … that?” MacDonald asked.</p> <p dir="ltr">“Yes. Of course it does!” Price responded. “You don’t just chuck the flag out because a few people want it to be.”</p> <p dir="ltr">The news that flying the Indigenous flag would come with such a hefty price tag sparked controversy last month, with even Mr Perrottet saying he “didn’t know” why it cost so much but that it was a “small price to pay”.</p> <p dir="ltr"><span id="docs-internal-guid-e9fb3be3-7fff-ffad-8f3a-1a7b7d11344d"></span></p> <p dir="ltr">The installation of the six-storey flagpole, and the relocation of other equipment, was also expected to take two years to complete.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">The Harbour Bridge WILL be home to the Aboriginal Flag in 2022 <a href="https://t.co/0MiVwlqEIk">https://t.co/0MiVwlqEIk</a> via <a href="https://twitter.com/ChangeAus?ref_src=twsrc%5Etfw">@ChangeAus</a> </p> <p>Also, check out the number views. If only all who viewed signed too! <a href="https://t.co/qSbtHBttbR">pic.twitter.com/qSbtHBttbR</a></p> <p>— Cheree Toka (@Chereetoka) <a href="https://twitter.com/Chereetoka/status/1544500115213516800?ref_src=twsrc%5Etfw">July 6, 2022</a></p></blockquote> <p dir="ltr">Under the new plan, the NSW flag will be included in the redevelopment of Macquarie Street in Sydney’s CBD, where several key state government buildings are located.</p> <p dir="ltr">“What we’ve learnt is a lot of people across the state don’t appreciate the NSW flag or the state’s history and that is because they see themselves as Australians first and not as their state,” Mr Perrottet said on Sunday.</p> <p dir="ltr">“It’s a great opportunity to put the flag in the historic precinct as an important part of modern Australia. The parliament is there, the Mint is there, the Barracks are there.“</p> <p dir="ltr">Ms Toka said she was “ecstatic and over the moon” at the announcement and already has her next goal: ensuring that Indigenous languages are taught in NSW schools.</p> <p dir="ltr">“I haven’t done enough research yet but I’d love to pursue it,” she said.</p> <p dir="ltr">“I think it’s really important to teach native tongues in the school curriculum, to keep this continuous culture living. At the minimum, we should be able to introduce ourselves, say hello, it doesn’t have to be anything fluent, but we should look at New Zealand and how it operates right now with a strong acceptance and recognition of the language of their people.”</p> <p dir="ltr"><span id="docs-internal-guid-d07500f1-7fff-2362-d622-ce8c709c9b55"></span></p> <p dir="ltr"><em>Image: Twitter</em></p>

Legal

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Greens leader slammed for rejecting Australian flag

<p dir="ltr">Greens leader Adam Bandt has been accused of "virtue signalling" after refusing to stand next to the Australian flag while speaking at a press conference on Monday.</p> <p dir="ltr">Before Mr Bandt spoke at Sydney's Commonwealth Parliamentary Offices on Monday, a member of staff was seen moving the flag from behind the podium so that only the Aboriginal flag and Torres Strait Island flag could be seen.</p> <p dir="ltr">Mr Bandt said he removed the flag because it “represents lingering pain” for some Australians, sharing his view that Australia should become a republic with a new flag.</p> <p dir="ltr">“For many Australians, this flag represents dispossession and the lingering pains of colonisation,” Mr Bandt said.</p> <p dir="ltr">“Through Treaty with First Nations’ Peoples and by moving to a Republic, we can have a flag that represents all of us.”</p> <p dir="ltr">However, his "stunt" prompted severe backlash with Minister for Government Services Bill Shorten describing it as a divisive act.</p> <p><span id="docs-internal-guid-876c3067-7fff-f984-ba88-829f5fbcb98d"></span></p> <p dir="ltr">“Antics like this, this virtue signalling saying, ‘I love First Nations People more than anyone else’ ... it turns more people off than turns them on,” he told Today.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Ahead of a press conference with Greens leader Adam Bandt, a Greens staffer has just moved the Australian flag out of the TV camera shot. <a href="https://twitter.com/hashtag/auspol?src=hash&amp;ref_src=twsrc%5Etfw">#auspol</a> <a href="https://t.co/g524GbpKKH">pic.twitter.com/g524GbpKKH</a></p> <p>— Isobel Roe (@isobelroe) <a href="https://twitter.com/isobelroe/status/1538733802037846016?ref_src=twsrc%5Etfw">June 20, 2022</a></p></blockquote> <p dir="ltr">2GB’s Jim Wilson also told the show it was “highly offensive” and “insulting”.</p> <p dir="ltr">“We had a Royal Commission into Veteran Suicide resume in Townsville yesterday - men and women who fought under the Australian flag. On the same day, you have this peanut who goes on and removes the Australian flag,” Wilson said.</p> <p dir="ltr">“I find it deeply offensive and not the Australia we want to embrace.</p> <p dir="ltr">“Have all three flags, but don’t remove the national flag.”</p> <p dir="ltr">Indigenous leader Warrne Mundine also weighed in on Mr Bandt’s display shortly after, questioning whether it was appropriate for federal parliament and whether the Greens “actually hate Australians”.</p> <p dir="ltr">“It’s idiotic,” Mr Mundine said. “Are the Greens actually in the Australian federal parliament? Seriously? Do they actually hate Australians that much? Aboriginals call themselves Australians all the time.</p> <p dir="ltr">“The Greens are just a fringe university type group trying to run down the country.”</p> <p dir="ltr">Mr Bandt primarily spoke about Labor’s approach to emissions during the press conference, claiming the party is “an obstacle to greater climate action” and that they aren’t listening to the Australian people..</p> <p dir="ltr">“Labor is bringing a weak target to parliament that means the end of the Great Barrier Reef,” he said.</p> <p dir="ltr">“Labor is now an obstacle to greater climate action and they are refusing to listen to the will of the people who have just delivered a big mandate for climate mandates at the election.”</p> <p dir="ltr">Image: Getty Images</p>

News

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Curious detail about flag in Top Gun: Maverick

<p dir="ltr">Moviegoers in Taiwan applauded an advanced screening of <em>Top Gun: Maverick</em> when Tom Cruise’s character came on screen wearing a jacket showing their flag.</p> <p dir="ltr">The Hollywood actor hits the screen in his bomber jacket which features patches of the flags from Taiwan, Japan and the United States, along with a United Nations symbol.</p> <p dir="ltr">When the trailer was released back in 2019, Cruise’s character Captain Pete “Maverick” Mitchell was wearing a jacket but this time the Taiwan flag appeared to be missing.</p> <p dir="ltr">The glaring omission of the Taiwanese flag sparked criticism that Hollywood was appeasing China. </p> <p dir="ltr">The Taiwanese flag has long been a political eyesore for Beijing, which claims sovereignty over the island and considers it to be Chinese territory under the “one China principle”.</p> <p dir="ltr">Taiwan however has continued to fight against being considered Chinese territory and to be recognised as independent. </p> <p dir="ltr">There are now rumours swirling that <em>Top Gun: Maverick</em> won’t be shown in China due to the representation of the Taiwan flag.</p> <p dir="ltr">“Hollywood is now pushing back,” Chris Fenton, a former movie executive who wrote a book about Hollywood and Chinese censors, told Bloomberg. </p> <p dir="ltr">“The market is simply not worth the aggravation anymore in attempting to please Chinese censors.”</p> <p dir="ltr"><em>Image: Twitter</em></p>

Movies

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Sydney icon to be returned to Aboriginal owners

<p dir="ltr">A historic decision has been made to return one of Sydney harbour's iconic landmarks to its Indigenous custodians.</p> <p dir="ltr">The NSW government has begun the official transfer process for Me-Mel Island - also known as Goat Island - which will be accompanied by a nearly $43 million ($NZ 47m) revitalisation of the island.</p> <p dir="ltr">NSW Premier Dominic Perrottet described the achievement as a “personal priority”.</p> <p dir="ltr">“Returning Me-Mel to the Aboriginal community is the right thing to do, and it helps deliver on my commitment of improving outcomes and opportunities for Aboriginal people across all parts of Government,” he said.</p> <p><span id="docs-internal-guid-884d2a08-7fff-393c-0609-2d285d9a3db1"></span></p> <p dir="ltr">“A big part of my commitment is ensuring the island is remediated before it’s transferred to the Aboriginal community.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Me-mel (Eora): Bennelong's island; little green space in the sea. <a href="https://t.co/HZFslBCkyH">pic.twitter.com/HZFslBCkyH</a></p> <p>— Carolyn R Galbraith (@CarolynRGalb) <a href="https://twitter.com/CarolynRGalb/status/1530773156536852481?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">This remediation, included in the $42.9 million package spread over the next four years, will cover various works such as repairing seawalls and buildings, improving water and sewer services, adn removing contaminants like asbestos, according to <em><a href="https://www.news.com.au/travel/travel-updates/43m-move-to-return-memel-island-to-aboriginal-hands/news-story/b28de6cc4bc21003aec0e5a801c362b9" target="_blank" rel="noopener">news.com.au</a></em>.</p> <p dir="ltr">Me-Mel Island is the biggest in Sydney Harbour and lies north-west of the CBD.</p> <p dir="ltr">The State Heritage-listed island is known for its rich Aboriginal heritage, as well as being home to more than 30 buildings and structures from the 1830s to 1960s.</p> <p dir="ltr">Once inhabited by Wangal man Bennelong and Cammeraigal woman Barangaroo, Bennelong said he inherited it from his father who was born on Me-Mel according to colonial documents.</p> <p dir="ltr"><span id="docs-internal-guid-9e769c3e-7fff-5f05-09d0-f67c7b488a4d"></span></p> <p dir="ltr">The transfer was first promised during the 2015 election by the NSW Labor Party - who lost to the Liberal Party that year - before officially commencing under the Liberals seven years later.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I welcome the announcement today by <a href="https://twitter.com/Dom_Perrottet?ref_src=twsrc%5Etfw">@Dom_Perrottet</a> of $43m for restoration work on ME-MEL <a href="https://twitter.com/hashtag/goatisland?src=hash&ref_src=twsrc%5Etfw">#goatisland</a> prior to this historic land being returned to the Aboriginal community in 2026 <a href="https://twitter.com/hashtag/alwayswasalwayswillbeaboriginalland?src=hash&ref_src=twsrc%5Etfw">#alwayswasalwayswillbeaboriginalland</a> <a href="https://t.co/Xe3ySXOINf">pic.twitter.com/Xe3ySXOINf</a></p> <p>— Councillor Yvonne Weldon (@ypweldon) <a href="https://twitter.com/ypweldon/status/1530860098515783682?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">Though it has been a long time coming, the decision has been welcomed by Yvonne Weldon, the Deputy Chair of the Metropolitan Local Aboriginal Land Council, who said the transfer will help heal and progress Indigenous issues.</p> <p dir="ltr">“Me-Mel is a place where we can go to be within our culture, pass culture on to our younger generations and share with other people,” she said.</p> <p dir="ltr">Until the transfer, the island will continue to be managed by the National Parks and Wildlife Service (NPWS), which is calling for <a href="https://www.environment.nsw.gov.au/topics/parks-reserves-and-protected-areas/park-management/community-engagement/sydney-harbour-national-park/me-mel-goat-island" target="_blank" rel="noopener">expressions of interest</a> for the Me-Mel Transfer Committee.</p> <p dir="ltr">Aboriginal Affairs Minister Ben Franklin said this committee, with advice from legal, heritage, planning and governance experts, will develop a business case and plan for future ownership and management of the island.</p> <p dir="ltr">“The Me-Mel Transfer Committee includes Aboriginal people and NSW government representatives, and importantly, its establishment is supported by the Metropolitan Local Aboriginal Land Council,” Mr Franklin said.</p> <p dir="ltr">Nominations for this committee are open until close of business on June 27.</p> <p dir="ltr"><span id="docs-internal-guid-4bd3246b-7fff-8211-0ee4-0e09959bc419"></span></p> <p dir="ltr"><em>Image: Office of Environment and Heritage (Flickr)</em></p>

Real Estate

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Red flags for property buyers considering buying off the plan

<p dir="ltr">Property buyers have been warned of the hidden dangers that come with buying an apartment off the plan. </p> <p dir="ltr">Potential home seekers have been alerted to avoid buying cheap, cookie cutter units that are typically sold off the plan. </p> <p dir="ltr">Michelle May, the Principal of Michelle May Buyers Agents, said some cheaper units sold off the plan were risky purchases because too many corners may have been cut to keep costs down.</p> <p dir="ltr">Prospective buyers must remember that when buying off the plan, you are investing the future of the whole building, not just your chosen apartment. </p> <p dir="ltr">“Developers are in it to make money, pure and simple. Unfortunately, this can lead to cutting costs (and often corners) wherever possible to increase their return,” Ms May said.</p> <p dir="ltr">“You only have to look at two recent stories, Opal Tower in Olympic Park and the more recent Mascot Towers, to see how bad things can go for residents when the building hasn’t been built, inspected or appropriately certified.”</p> <p dir="ltr">Speaking to The Daily Telegraph, Ms May said buyers had less confidence as a result of rising interest rates and the ongoing election campaign taking away their attention from the property market.</p> <p dir="ltr">She went on to say that buyers of units off the plan would struggle to earn back their money if they had to sell in the future. </p> <p dir="ltr">“People buying apartments off the plan usually think it’s cheaper and go for the lowest price. The reality is that the quality build of these newer off-the-plan apartments just isn’t good.”</p> <p dir="ltr">“Visually it might look okay, but a lot of these new apartments aren’t built to stand the test of time. A lot of people who I’ve spoken with often complain about the noise they hear between the walls or the high turnover of other tenants.”</p> <p dir="ltr">“If you’re considering buying new or off the plan, make sure you work with a specialist property lawyer, not just your run-of-the-mill conveyancer. The lawyer will help you understand the many ins and outs of the contract, so you know exactly where you stand.”</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Real Estate

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Furore erupts after RSL member refuses to allow Indigenous flag at ANZAC service

<p dir="ltr">A NSW woman had the police called on her after she attempted to drape an Indigenous flag honouring First Nations diggers at her local war memorial service in Lismore.</p> <p dir="ltr">Cindy Roberts tried to display her flag beneath the Australian flag before the service began, but a local RSL member allegedly stopped her twice and called the police, according to the <em><a href="https://www.dailymail.co.uk/news/article-10753649/Anzac-Day-2022-fury-memorial-service-hit-row-Indigenous-flag.html" target="_blank" rel="noopener">Daily Mail</a></em>.</p> <p dir="ltr">The incident has sparked outrage among those in attendance and online, with former Lismore mayor Jenny Dowell describing it as a “huge overreaction”.</p> <p dir="ltr">“It wasn’t a huge protest in any way and was absolutely done respectfully,” she said.</p> <p dir="ltr">“It was embarrassing and awkward and it should have just been allowed to pass without the fuss from the RSL member.”</p> <p dir="ltr">Ms Roberts, whose daughter, grandparents and uncles have served in Australia’s armed forces, had taken part in the dawn service and the march to Lismore Memorial Baths for the ceremony.</p> <p dir="ltr">When she arrived, the only flag flying was the Australian flag, despite other venues displaying the Aboriginal, Australian, and Torres Strait Islander flags side by side.</p> <p dir="ltr">“I just wanted to remember my ancestors that had fought in every single war, including the frontier war,” she told <em>Daily Mail Australia</em>.</p> <p dir="ltr">“So I stood and I felt a spirit in my heart tell me to just lay the flag out. I didn’t put it on the flagpole, I just placed it on the ground underneath the Australian flag.</p> <p dir="ltr">“Then I was approached by a member from the RSL and asked to remove the flag.</p> <p dir="ltr">“I said, ‘But my grandfathers and my uncles and my ancestors fought in the wars of this country’. He said, ‘This is not the time or the place’.”</p> <p dir="ltr">“I thought, ‘Well, when is the time to bring unity?’”</p> <p dir="ltr">Ms Roberts said she then picked the flag up and went to the spot where the wreaths were laid, where she was confronted again.</p> <p dir="ltr">“Then (the RSL member) approached me again and told me to remove the flag again and with the police this time,” she continued.</p> <p dir="ltr">“When this happened, I cried. I broke down and everyone saw me but I still stood there in the crowd behind the children with the Aboriginal flag.”</p> <p dir="ltr">Ms Robert’s daughter Skye, who served as a ship technician in the Australian Navy for five years, was with her mother when the incident occurred.</p> <p dir="ltr">Celebrated Indigenous soldier Clarrie Combo, who fought for Australia in Egypt, Libya, Crete, Syria, Greece, Sri Lanka and New Guinea during WWII, was one of Ms Roberts’ great uncles.</p> <p dir="ltr">“Our people have been through so much and I’m tired of them not being acknowledged,” Ms Roberts said.</p> <p dir="ltr">“First Nations people who fought in these wars deserve more respect because they put their lives on the line.”</p> <p dir="ltr">Ms Dowell said she tried to reason with the RSL member and that she couldn’t understand why they were treating Ms Roberts.</p> <p dir="ltr">“I saw the reaction from a member of the RSL who was saying repeatedly, it’s not appropriate, it’s not appropriate,” she told the publication.</p> <p dir="ltr">“I didn’t quite know what was not appropriate. I thought it was very disappointing - and not one speaker in the whole ceremony even acknowledged country.</p> <p dir="ltr">“I thought that was poor. The situation could have easily have escalated if Cindy had chosen to do so but she didn’t and many there may not have even noticed.</p> <p dir="ltr">“I thought she was very respectful and hopefully we can all learn from this incident - and that it doesn’t happen again.”</p> <p dir="ltr">The incident caused intense debate in the town’s Facebook group, with many supporting Ms Roberts.</p> <p dir="ltr">“To the beautiful Indigenous woman advocating to raise the Indigenous flag today at the service following the march, I am beyond apologetic for the utter disrespect you were shown,” one local wrote.</p> <p dir="ltr">Others insisted that the Australian flag should cover everyone since soldiers all fought under it in wartime.</p> <p dir="ltr">“They fought under the Australian flag. We are all Australians,” one person said.</p> <p><span id="docs-internal-guid-596180ea-7fff-cebf-ca7d-1e543ffdf614"></span></p> <p dir="ltr"><em>Image: Daily Mail</em></p>

Caring

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Australians’ favourites show Aboriginal art can transcend social divisions and art boundaries

<p>New analysis shows landscape art is the most popular visual art genre among Australians, with Aboriginal art coming in second place, followed by portraits and modern art. </p> <p>But Aboriginal art is more likely to bridge social divides and can dissolve personal prejudices between different kinds of art. </p> <p>Many Australians are sharply divided as to whether they prefer more traditional genres like landscapes or more contemporary and abstract visual forms. And these divisions relate to differences in age, class and education. But Aboriginal art bucks this trend because it is seen as “telling a story”. </p> <p>The research is discussed in a new book called <em><a href="https://www.routledge.com/Fields-Capitals-Habitus-Australian-Culture-Inequalities-and-Social/Bennett-Carter-Gayo-Kelly-Noble/p/book/9781138392304">Fields, Capitals, Habitus: Australian Culture, Social Divisions and Inequalities</a>.</em></p> <h2>We know what (and who) we like</h2> <p>Researchers conducted a <a href="https://www.westernsydney.edu.au/newscentre/news_centre/story_archive/2018/research_shows_social_class_has_a_strong_influence_on_cultural_tastes">national survey of Australians’ cultural tastes</a>, administering surveys to 1,202 Australians. Extra samples to ensure representation of Aboriginal and Torres Strait Islanders, Italian, Lebanese, Chinese, and Indian Australians, brought the overall survey total to 1,461. </p> <p>Researchers subsequently <a href="https://www.abc.net.au/news/2018-04-13/what-your-habits-reveal-about-your-social-class/9610658?nw=0">partnered with the ABC</a> to conduct online surveys on cultural tastes that were compared with research findings.</p> <p>Aboriginal art was the second most popular genre, liked by 26% of the main sample, behind landscapes (52%) but ahead of portraits (24%) and modern art (17%). </p> <p>Impressionism and Renaissance art came in at around 15% each, while abstract art, colonial art, Pop art and still lifes ranged, in order, from 13% down to 7%.</p> <p>Survey respondents were <a href="https://theconversation.com/tom-roberts-anyone-a-national-survey-finds-the-line-in-art-appreciation-51301">given a selection of artists</a>and asked to say whether they had heard of and liked them. Indigenous landscape painter <a href="https://manyhandsart.com.au/about/albert-namatjira/">Albert Namatjira</a>was the third most familiar but, at 63%, he was only narrowly pipped by painter <a href="http://www.sidneynolantrust.org/about/sidney-nolan">Sidney Nolan</a> (67%) and the colourful <a href="https://kendone.com.au/">Ken Done</a> (68%). Indigenous multi-media artist Tracey Moffatt was less well known (14%). But Namatjira was the most popular of all, liked by 49% ahead of both Nolan (42%) and Done (40%).</p> <p>Unsurprisingly, Aboriginal and Torres Strait Islanders were much more enthusiastic about Aboriginal art (67%) and Namatjira (liked by 70%) than the main sample, but not notably so for Moffatt. Indian and Lebanese Australians also showed a marked liking for Aboriginal art at 38% and 36% respectively.</p> <p>Aboriginal art had a broader cross-class appeal than most genres. It did, however, appeal more strongly to those in intermediate (such self-employed and clerical workers) and professional and managerial occupational classes than to those in skilled or unskilled working-class occupations. </p> <p>Namatjira was most popular with the older members of Australia’s intermediate classes. Moffatt, by contrast, appealed most to the younger, tertiary educated Australians in professional and managerial occupations.</p> <p>There were clear correlations between these preferences for particular Indigenous artists and genre tastes. Those who liked Namatjira preferred traditional and largely figurative genres – landscapes, still lifes, and portraits. Those who liked Moffatt favoured genres tending towards abstraction or critical engagements with figurative conventions – modern art, Pop art and abstract art.</p> <h2>The great divide … and a bridge</h2> <p>A key finding of the research was how much those who liked traditional and figurative genres disliked contemporary and abstract genres. The reverse was even more true: those who liked contemporary and abstract art often had a strong aversion to traditional and figurative art. </p> <p>Yet the category of Aboriginal art often crossed the boundaries between these two groups of genres. </p> <p>This is not entirely surprising. Aboriginal art has expanded beyond its traditional forms to include acrylic dot art, contemporary urban Aboriginal art practices, rock art, or the kitsch forms of “Aboriginalia” like that collected by Tony Albert.</p> <p>But what is surprising is how frequently, when discussing their art tastes in follow-up interviews, our survey respondents treated Aboriginal art as an exceptional art form. </p> <p>While most viewed it as a form of abstraction, it was seen as a purposeful abstraction with a story to tell, crossing the boundaries between the abstract and the figurative.</p> <p>It was on these grounds that Aboriginal art was let off the hook by those who usually disliked non-figurative art. This was pithily summarised by one respondent who, dismissing modern and abstract art as “equivalent to what my daughters would do in kindergarten”, praised the “uniqueness of Aboriginal art and the dots” because “there’s stories behind it – there is the story they are trying to tell”.</p> <p>This was a recurring theme in appreciations of Namatjira. In a follow up interview, one survey respondent – a professional in a high-level executive role – liked Namatjira’s work for not being “too abstract” in its depiction of “the beauty of the bush and the country”. </p> <p>For another, a part-time accountant and labourer, Namatjira served as a counter to his dislike of modern and abstract art because his paintings are “real … they just feel like he’s telling a story in his pictures and they’re real”.</p> <p>And a third, a woman in her 30s from a Sri Lankan background, expressed her appreciation of Namatjira and Moffatt in similar terms. She loved “Tracey’s storytelling” with its “strong style and voice”, emphasising its appeal to both Indigenous and non-Indigenous women, while singling out the “cultural connections” that Namatjira’s work makes.</p> <p>While, then, different kinds of Aboriginal art appeal to different publics, the category of Aboriginal art is one that recruits a broader interest. We got a strong sense that it is something that non-Indigenous Australians felt they ought to like and know more about because of what it has to say about Indigenous culture, its relations to Country, and its significance for Australian culture and identity. </p> <p>This registers a significant shift from the terms in which Namatjira was initially appreciated, in the 1950s, as <a href="https://journals.openedition.org/ces/386">an imitative adaptation</a> of pastoral modernism.</p> <p>It is a shift that registers the work of Indigenous artists, curators and critics in stressing the role that Aboriginal art can play in transforming the relations between Indigenous and non-Indigenous Australians.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/australians-favourites-show-aboriginal-art-can-transcend-social-divisions-and-art-boundaries-143827" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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“Lucky escape”: Man’s “red flag” called out

<p dir="ltr">A man has been slammed for his unnecessary response to a potential date which he claimed was a “red flag”.</p> <p dir="ltr">Anthony Gilét took to <a href="https://www.tiktok.com/@giletslays/video/7080582251351674118?is_copy_url=1&amp;is_from_webapp=v1&amp;lang=en" target="_blank" rel="noopener">TikTok</a> to share his story of how he was blocked after calling out a potential date for suggesting a place near his. </p> <p dir="ltr">“Here is the one thing I would not accept from a potential date and you shouldn’t either,” he began his video. </p> <p dir="ltr">Anthony had agreed to go out on a date with a man called Luke but was unsure of where they should go.</p> <p dir="ltr">“I said ‘sure, where should we go?” Anthony asked.</p> <p dir="ltr">Luke then suggested a pub in the area that he lives in which did not impress Anthony at all.  </p> <p dir="ltr">“Now I’m not expecting him to take me up to the top of the Shard, but it doesn’t have to cost a fortune to be original,” he said.</p> <p dir="ltr">“However the line for me was suggesting somewhere on your doorstep and expecting the other person to do 95 per cent of the travelling.”</p> <p dir="ltr">Anthony said he rejected Luke’s offer by texting him: “I think I’m gonna pass, but thanks Luke. Feels like you’ve just picked an area that is convenient for you…and when a guy expects the other to do all of the travelling (to go to a pub, of which there are hundreds of) it reads as either inconsiderate or low effort/not that into.</p> <p dir="ltr">“No hard feelings and I hope you find what you are looking for”</p> <p dir="ltr">Anthony confessed that he thought he had been “quite polite” in his response to Luke but was shocked with his response.</p> <p dir="ltr">“You are mental. I hope you find some help,” Luke responded.</p> <p dir="ltr">Anthony did not let it go and replied once again: “It’s really not hard to select a pub that’s in between both of us, that should come naturally if you’re a considerate person. </p> <p dir="ltr">“But yeah, call me ‘mental’ because other little boys tolerate your bare minimum. It’s just not sometime I vibe with! And the fact that you’ve resorted to being rude quickly … another red flag.”</p> <p dir="ltr">The video has already been viewed more than 180,000 times and received 20,000 likes with many calling Anthony out for his behaviour.</p> <p dir="ltr">“By all means stick to your boundaries. But you could have just suggested somewhere else?” someone asked.</p> <p dir="ltr">“I’m with him on this one. You asked him to pick the place - don’t get mad about the decision. Reads really dramatic on your part,” another said.</p> <p dir="ltr">“Maybe he wanted a venue where he felt safe in case the date turned out abusive, psychotic or over dramatic? *cough*” another wrote.</p> <p dir="ltr">“Can’t help but think it was a lucky escape…for the other chap,” someone else commented.</p> <p dir="ltr"><em>Images: TikTok</em></p>

Relationships

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10 red flags you’re about to stay at a bad hotel

<p>Even though you don’t spend a lot of time in your room on vacation, having one that is sub-par can really put a dampener on your trip. Before booking your trip (or to avoid booking the same bad place again) make sure you know about these red flags that you’re about to stay at a bad hotel.</p> <p>Make sure to look for these things when you book your hotel in one of these places you need to visit.</p> <p><strong>The photos are doctored</strong></p> <p>Sometimes, you may not realise a hotel is iffy until you arrive – but you certainly want to avoid that happening if you can. There are some bad hotel signs you can catch before you finalise your booking, and you should always be on the lookout for those. Spotting many is as simple as just doing your research on the hotel’s website.</p> <p>Firstly, give the photos on the hotel’s site a good look. “Hotels with a good reputation and nothing to hide will ensure that the quality of their photos is professional, accurate and not overly edited,” says Janet Semenova, co-founder of Boutique Travel Advisors. “Hotels whose photos are misleading or heavily photoshopped generally have something to hide.” For instance, look for gradient lines that indicate that colours were touched up. Another technique you might see is the use of a fish-eye lens. “If their pictures are all taken with a fish-eye lens, they may be trying to make small rooms appear larger,” cautions Grainne Kelly, travel expert, former travel agent and founder of BubbleBum car travel innovations. A quick Google image search for the hotel should quickly make it clear if the photos on the site aren’t giving the whole picture.</p> <p>And it’s not just what you do see – it’s the photos that are not there, too. If the website only shows photos of the exterior of the hotel, there’s almost definitely a reason that there are none of the inside. Even leaving out photos of a significant aspect of the rooms – think the bathrooms or the beds – can be a red flag.</p> <p><strong>The website and Google disagree</strong></p> <p>Once you’ve confirmed that the photos of the hotel are to your liking, head over to Google Earth for one last check. If the ‘street view’ of the hotel’s address looks nothing like the pictures on the site, there’s a problem. “Google Earth… will give you a very good idea of where the hotel is located and what is around it,” says Patricia Hajifotiou, owner of the touring company The Olive Odysseys and author of <em>Travel Like You Mean It</em>.</p> <p>“For example, if you are going to Santorini, you are going there for the caldera views. If your hotel is located on the back side of the island, you might have sea views in the distance but you will not be sitting on the cliff looking at the volcano (which might be fine for you). Make sure your hotel is really in the location it says it is!”</p> <p><strong>The price just doesn't seem to fit</strong></p> <p>Of course, there are plenty of ways to score great deals on hotels. But there’s a difference between using a legitimate technique to get a markdown and an up-front price just seeming… off. “If a price looks too good to be true, it probably is,” warns Leona Bowman, luxury travel blogger at Wandermust Family. “If you are getting a five-star hotel at a two-star hotel price, it is worth doing some more investigating. Double-check that there aren’t any renovations or local building works that are affecting the property and are causing the price to drop.”</p> <p>Cassandra Brooklyn, founder of the travel planning and group tour company EscapingNY, also recommends taking a quick look at the price of other, similar hotels to see if the charge seems reasonable. “If the hotel is much cheaper than surrounding hotels with similar amenities, there’s probably a reason that the hotel can’t charge higher, [such as] construction, paper-thin walls, bed bugs, or terrible service,” she tells Reader’s Digest.</p> <p><strong>There has been bed bugs sightings</strong></p> <p>If you weren’t aware that there was a ‘Bed Bug Report’ available online, now you are – and you should never travel without consulting it again.</p> <p>On bedbugreports.com, you can type in the name of your hotel and find its specific location to see if any guests reported bed bugs while staying there. If there have been sightings, especially in the past couple of years, you’ll definitely want to look elsewhere.</p> <p><strong>The site fires back at negative reviews</strong></p> <p>Don’t let a couple of negative reviews completely turn you off of a hotel. “There will always be complaints or misunderstandings so that in itself isn’t a reason to think that the hotel is necessarily bad,” advises Jurga Rubinovaite, travel blogger and author of Full Suitcase. What is a bigger cause for concern, though, is an immature reaction to a negative review. “Negative reviews can and will happen even at the most…professional and reputable hotels around the world,” Semenova says. “It is the way in which management handles these reviews, both online and off-line, that speaks to their integrity.”</p> <p>For instance, Rubinovaite says you’ll want to take note “if they don’t show concern about what happened or if their responses are rude.” Instead, they will ideally respond by offering a sincere apology and a solution to the problem – this is a strong reflection on how they will treat customers in person, according to Semenova. “Management that responds negatively to their negative reviews generally provides poor customer service to all their clients,” she told RD.com.</p> <p><strong>All of the good reviews are old</strong></p> <p>Pay attention to the positive reviews in addition to the negative ones – even the most glowing reviews can’t be taken at face value. “The date of a review is just as important as the review itself,” Brooklyn advises. “A hotel may have stellar reviews, but if they’re all over six months old, something dramatic may have changed since then.” And the opposite goes for bad reviews – watch for a sudden surge of recent ones.</p> <p>“If there was an issue five years ago and recent reviews are OK, then there is nothing to worry about,” says Rubinovaite. “However, if you find several people complaining about the same problem over…the last few months, then it’s definitely a red flag that indicates that the hotel doesn’t care to improve their customer experience.”</p> <p><strong>Safety measures are lax</strong></p> <p>Even if your hotel meets all of your preliminary standards, it’s still unfortunately not a guarantee that it’ll be the perfect home away from home. Some other warning signs are only apparent once you’ve walked through the door. While most hotels do take safety seriously, the sad truth is that there are always bad eggs. For instance, keep an eye on the reception desk.</p> <p>“Unattended after-hours reception areas with main doors unlocked” – even if it’s located in a safer-seeming area – are a big red flag, says Sheryl Hill, executive director of the travel safety organisation Depart Smart. Another red flag? Look for the keyless security latch or chain on the inside of the door. If there’s none there, or if it’s broken, that’s a good sign that safety may not be as much of a priority as you’d like it to be.</p> <p><strong>The carpets aren't clean</strong></p> <p>Of course, anything that’s conspicuously unclean is cause for concern once you’ve stepped into your chosen lodging. But, while you’ll probably make sure to check the beds and the bathrooms for any ickiness, you might not pay too much attention to what’s beneath your feet. But you should: Hill cautions that “nasty carpets usually mean nasty sheets and towels and coffee cups.”</p> <p>She reminds RD, though, that the age of the carpets doesn’t have anything to do with this. An older carpet can still be clean if it’s well-maintained. You should also be on the lookout for small patches of carpet that don’t quite match the whole thing. That’s a sign that staff hastily removed and switched out a stained or damaged patch, rather than replacing the whole carpet or doing a more thorough cleaning.</p> <p><strong>The signs aren't in good condition</strong></p> <p>Travel blogger Julie McCool, suggests that travellers pay attention to the literal signs. Are they in good condition, or are they in disrepair? “If the hotel won’t maintain the first branding you see, they may be ignoring maintenance issues throughout the property,” she told RD.com.</p> <p>McCool also warns to keep an eye out for hastily made or less-than-presentable signs hung around the property, especially if they’re there to police guests’ behaviour. “Lots of handmade signs scolding visitors from various infractions is a red flag,” she says. “The property may be poorly managed, or the clientele may be problematic.”</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.com.au/travel/travel-hints-tips/10-red-flags-youre-about-to-stay-at-a-bad-hotel" target="_blank" rel="noopener">Reader's Digest</a>.</em></p>

Travel Tips

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Australian government appeals ruling protecting Aboriginals from deportation

<p dir="ltr">The Australian government has made an appeal against a High Court decision that Aboriginal Australians can’t be aliens, claiming the decision threatens to confer “political sovereignty on Aboriginal societies”.</p><p dir="ltr">Lawyers for the government made the claim in an appeal against the Love and Thoms decision, which bars the deportation of Indigenous non-citizens. They claim that the ruling threatened the position that Aboriginal sovereignty did not survive the colonisation of Australia.</p><p dir="ltr"><em><a href="https://www.theguardian.com/law/2022/feb/01/aboriginal-spiritual-connection-to-land-no-bar-to-deportation-morrison-government-says" target="_blank" rel="noopener">The Guardian</a></em> reports that the submissions, lodged on Friday, also contain arguments that the spiritual connection Aboriginal Australians have with the land doesn’t create a “special relationship” to the commonwealth.</p><p dir="ltr"><strong>What is the Love and Thoms decision?</strong></p><p dir="ltr">In February 2020, four out of the seven judges ruled that Aboriginal Australians were not aliens under the Australian constitution and couldn’t be deported, prompting the release of New Zealand-born man Brendan Thoms from detention.</p><p dir="ltr">Thoms and Papua New Guinea-born Daniel Love, who both have one Indigenous parent, had their visas cancelled and faced deportation from Australia after serving time in prison.</p><p dir="ltr">Lawyers for the two men, with support from the state of Victoria, argued that the government can’t deport Aboriginal or Torres Strait Islanders even if they don’t hold Australian citizenship.</p><p dir="ltr">In separate judgements, justices Virginia Bell, Geoffrey Nettle, Michelle Gordon and James Edelman made the ruling based on the three-part test established by the Mabo native title cases that assess a person’s claim to be Aboriginal based on their biological descent, self-identification, and recognition by a traditional group.</p><p dir="ltr">By April 2021, nine people were released from immigration detention as a result of the ruling, with <em>Guardian Australia</em> revealing the government was seeking to overturn the decision in October of the same year.</p><p dir="ltr"><strong>Why is the government appealing the decision?</strong></p><p dir="ltr">In November 2021, the federal court ordered for the release of Shayne Montgomery, a New Zealand citizen whose visa was revoked by former home affairs minister Peter Dutton after he was convicted of a non-violent aggravated burglary in 2018. </p><p dir="ltr">The court ruled that Mr Dutton “failed to give any degree of consideration” to Mr Montgomery’s claims of Aboriginality. Though he wasn’t biologically descended from an Aboriginal person, the court said it was “not reasonable” to conclude Mr Montgomery was not Aboriginal since he was culturally adopted by the Mununjali people in Queensland.</p><p dir="ltr">In an appeal against that ruling, the federal government is now asking that the federal court overrule Love and Thoms.</p><p dir="ltr">With the retirement of two of the four judges who originally made the decision, assistant attorney general Amanda Stoker has noted in a 2020 research paper that a challenge to the decision could see it get reconsidered by the new bench.</p><p dir="ltr">In October, immigration minister Alex Hawke <a href="https://www.theguardian.com/australia-news/2021/nov/19/judge-orders-new-zealand-man-who-had-visa-revoked-by-peter-dutton-to-be-freed-from-detention" target="_blank" rel="noopener">said</a> the government had “no intent to deport an Aboriginal from Australia”, despite making an appeal alongside home affairs minister Karen Andrews to restore their power to do so.</p><p dir="ltr">He said the case was about “a complex question of law, it’s not about an opinion of the government, and it has to be tested and resolved”.</p><p dir="ltr">“That’s what the government is doing. Of course, there is no intent to deport an Aboriginal from Australia, ever.”</p><p dir="ltr">Kristina Kenneally, the shadow home affairs minister, has said Labor “respects the decision of the high court” in Love and Thoms, and that the government should “abide by the ruling”.</p><p dir="ltr">The matter is yet to be listed for a hearing.</p><p><span id="docs-internal-guid-e42c34bd-7fff-c704-0076-0897e4ad5a67"></span></p><p dir="ltr"><em>Image: Getty Images</em></p>

Legal

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Aboriginal flag freely available for public use

<p><span style="font-weight: 400;">In a historic decision, the Aboriginal flag has been made freely available for public use by all. </span></p> <p><span style="font-weight: 400;">Following long negotiations, the artist behind the flag agreed to transfer copyright of the design to the Commonwealth. </span></p> <p><span style="font-weight: 400;">Created by Luritja artist Harold Thomas in 1970, the flag represents Aboriginal people and their connection to the land, and has been an official national flag since the end of the late 1990s. </span></p> <p><span style="font-weight: 400;">The copyright had remained with Mr Thomas since the flag’s genesis, meaning anyone who wanted to use the flag legally had to ask permission or pay a fee. </span></p> <p><span style="font-weight: 400;">Indigenous Affairs Minister Ken Wyatt was pleased to announce that the flag now belongs to all Australians following the negotiations. </span></p> <p><span style="font-weight: 400;">"Over the last 50 years we made Harold Thomas’ artwork our own — we marched under the Aboriginal Flag, stood behind it, and flew it high as a point of pride," Mr Wyatt said in a statement.</span></p> <p><span style="font-weight: 400;">"Now that the Commonwealth holds the copyright, it belongs to everyone, and no-one can take it away."</span></p> <p><span style="font-weight: 400;">Harold Thomas said he hopes all Australians will use the flag with the utmost pride and respect to the Indigenous Australian population. </span></p> <p><span style="font-weight: 400;">"I hope that this arrangement provides comfort to all Aboriginal people and Australians to use the Flag, unaltered, proudly and without restriction," he said.</span></p> <p><span style="font-weight: 400;">"I am grateful that my art is appreciated by so many, and that it has come to represent something so powerful to so many."</span></p> <p><span style="font-weight: 400;">In return for the copyright, the government has agreed to establish an annual scholarship in Mr Thomas’s honour worth $100,000, which will see Indigenous students be given the chance to develop skills in leadership, and to create an online history and education portal for the flag.</span></p> <p><em><span style="font-weight: 400;">Image credits: Getty Images</span></em></p>

Art

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